On The Seance of Dead Writers

An interesting conversation occurred this morning between Tess and me. We were talking about the mechanics of voice, specifically Elmore Leonard’s ability to convey entire stories through little more than dialogue. She loves his style or writing, if I heard her correctly, because of the way that it lies.

Now I should explain.

All fiction is a lie. Author literally makes this stuff up, and the trick is we’re sometimes able to make our readers believe that lie as if it were fact. Leonard’s genius is that he lies in a way that makes you feel like you’re witnessing the story as it’s happening. It’s memory. A long conversation that you’ve listened instead of some words you read.

While I appreciate the technique, much of what I’ve written does not make use of this. Per my wife, I should probably think about channeling the voice of Leonard. This is, however, only one possible conclusion of the conversation.

I am now keenly aware of the authorial voices that influence me as I pound out manuscripts. In fact, I’ve noticed that as I’ve developed as a writer, I tend to read with a new found insight into these creative aspects within the domain of any story’s construction.

Right now I’m very much channeling the spirit of Dead Ed with a little Jack London tossed in. For the first time, I’m mindful of the influence these two authors exert on my writing, as I write. I often ask myself if what I’ve written is something they might like to read. Of course, I’ll never know, but the question is an important one for me to answer because the example of their work sets a new expectation that I’m shooting for.

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