Fire Weather

This is the view from the upper deck of my house, across the East Passage looking toward Mount Rainier right now. It’s cleared up considerably, can’t you tell?

In good weather, we’re usually able to look out over the rail and see the volcano some 40-ish miles away. Often, we can even see the Cascade Crest, situated well beyond the volcano, in the blue distance. So, when the air quality is this bad you know something is up.

What is up is a complex of fires burning in British Columbia. The whole area has been socked in since Monday varying amounts of smoke and ash. I’ve had a headache since about then, and my only relief is when that pain becomes punctuated with periodic lung sensitivity and shortness of breath. Who knew a 45-year-old man could develop asthma?

Well, apparently I did. Starting about two years ago I wrote the bones of a story called Fire Weather. It’s a spec-fic piece about an Air Quality Refugee who flees summer fire weather in Chi-town only to become entwined in a pirate fire-fighting effort working off the coast of … wait for it … British Columbia.

It’s got everything too — semi-autonomous wild fire-fighting robots, boats, heroes, anti-heroes, swine, disaster, and rescue — and there’s no reason (other than a keyboard failure) that I can’t find an editor and get this thing out there.

Look for it on Patreon first.

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Off to the Editor

Oh, that’s a good feeling. No, strike that, it’s a great feeling! I just submitted a 7,500-word short story for an upcoming Future Chronicles anthology. Doomsday Chronicles isn’t due out until February 2016, but my story is very done. I’m very satisfied with the work as well.

This piece should cement my SFWA membership, if not this year, then early next year. Added to this In Goat I’ve managed to turn out an entertaining, compelling, topical tale I’m certain will make readers think. So, yeah, I’m congratulating myself just a little bit. I think this may be an overlooked part of writing for a living that more authors need to take in hand. Celebrate your accomplishments people.

“What’s next?” you ask. I’m contributing to another anthology — this time steampunk’s Drifting Isles — and I’ve already begun this one. It’s due in November so I’ve got time and since this tale is outlined and just needs words I’m going to have more time to work on other things concurrently. So I’m left wondering where I should focus.

The top contenders are two novel-length projects and a novella length speculative fiction piece. Counterfeit Horizon is something like 70,000 words (currently) of very rough work. Part of my reluctance in finishing this story — that I began back in 2013 — is the sheer volume of editing that it’s going to take. Counterfeit was my first attempt at a novel length anything, and consequently it’s just riddled with mistakes and plot holes. One strategy I’ve been contemplating is to junk the old manuscript and just re-write the story using the characters, settings and plot I’ve already developed. I wrote the bulk of Counterfeit Horizon during NaNoWriMo, so I know I could knock this out comfortably in a short space of time.

Second is the novella project. Fire Weather is almost there now; a short sprint could have this piece ready for publication by late winter. With the incredible fire season, we’ve seen this summer the story is topical. Right now my big problem is that the tension in the tale tends to fall off. There are interpersonal battles, health issues, and of course, the fireline fight, but when I read my work I’m left wanting more. This story needs some Spike, and my feeling is that I don’t know how much to add. I suppose I can add spice in small amounts, reworking by chapter and scene, until I think it’s got the right flavor. Now that I write this out, this begins to appeal to me.

The final candidate is Winter City Above the Clouds. The first two chapters have been written, and I’ve spent some time this summer working on the outline for this science fiction epic. This project is daunting. And what I mean by that is that right now, I’m looking at what I want to do with it, and I’m not entirely sure I have the skills necessary to reach that lofty goal. I’ll be making everything up, and this tale requires a rich, expansive cultural backdrop just to make the stage believable.

Of these projects, Winter City is where I’d like to be spending my time, it’s where I go to get lost in my own imagination right now. I based my first Future Chronicles contribution Ser Pan Comido in the universe I’ve been developing for Winter City. So it has that element of guilty pleasure about it. I just don’t want that to interfere with the final quality of the piece. Better, I don’t want to find myself back in the same situation I’m in with Counterfeit Horizon.

Conclusion, it’s sometimes very easy to be your own boss and other times it approaches impossible to be at the helm. Option paralysis is real.